Titel (OT) | Regie | Land | Sektion | Andrey Arnold Die Presse | Dunja Bialas artechock | Hannes Brühwiler critic.de | Jérôme d'Estais Septième Obsession | Devika Girish Film Comment | Martin Gobbin critic.de | David Hudson Criterion | Frédéric Jaeger critic.de | Titel (OT) | Jenny Jecke Moviepilot | Till Kadritzke critic.de | Anne Küper critic.de | Michael Kienzl critic.de | G.Marchini Camia Sight & Sound | Jonas Nestroy critic.de | Philipp Schwarz critic.de | Rüdiger Suchsland artechock | Titel (OT) |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Beirut the Encounter (Beyroutou el lika) | Borhane Alaouié | B, TN, LB | Forum | +++ | +++ | Beirut the Encounter (Beyroutou el lika) | +++ | Beirut the Encounter (Beyroutou el lika) | |||||||||||||
Nobody's Hero (Viens je t'emmène) | Alain Guiraudie | F | Panorama | +++ | +++ | ++ | +++ | Nobody's Hero (Viens je t'emmène) | +++ | ++ | + | ++ | +++ | Nobody's Hero (Viens je t'emmène) | |||||||
Small, Slow But Steady (Keiko, me wo sumasete) | Shô Miyake | JP | Encounters | +++ | + | ++ | Small, Slow But Steady (Keiko, me wo sumasete) | ++ | +++ | + | ++ | ++ | Small, Slow But Steady (Keiko, me wo sumasete) | ||||||||
Sonne | Kurdwin Ayub | Ö | Encounters | +++ | +++ | +++ | + | - | Sonne | +++ | ++ | +++ | ++ | Sonne | |||||||
The Passengers of the Night (Les passagers de la nuit) | Mikhaël Hers | F | Wettbewerb | ++ | +++ | ++ | +++ | The Passengers of the Night (Les passagers de la nuit) | +++ | +++ | ++ | + | +- | + | + | The Passengers of the Night (Les passagers de la nuit) | |||||
Unrueh | Cyril Schäublin | CH | Encounters | +++ | +- | ++ | Unrueh | ++ | ++ | ++ | +++ | +++ | Unrueh | ||||||||
A E I O U - Das schnelle Alphabet der Liebe | Nicolette Krebitz | D | Wettbewerb | + | ++ | +++ | A E I O U - Das schnelle Alphabet der Liebe | ++ | ++ | ++ | - | +++ | A E I O U - Das schnelle Alphabet der Liebe | ||||||||
Afterwater | Dane Komljen | D, ROK, E, SER | Forum | ++ | + | Afterwater | ++ | -- | Afterwater | ||||||||||||
Alcarràs | Carla Simón | E, IT | Wettbewerb | +++ | ++ | + | Alcarràs | +- | + | +- | Alcarràs | ||||||||||
Both Sides of the Blade (Avec amour et acharnement) | Claire Denis | F | Wettbewerb | +- | + | ++ | +++ | +++ | - | Both Sides of the Blade (Avec amour et acharnement) | ++ | ++ | ++ | ++ | ++ | ++ | ++ | ++ | Both Sides of the Blade (Avec amour et acharnement) | ||
Father's Day | Kivu Ruhorahoza | RW | Encounters | ++ | ++ | Father's Day | ++ | Father's Day | |||||||||||||
The Novelist's Film (So-seol-ga-ui Yeong-hwa) | Hong Sang-soo | ROK | Wettbewerb | +++ | ++ | ++ | ++ | ++ | The Novelist's Film (So-seol-ga-ui Yeong-hwa) | + | ++ | ++ | ++ | + | The Novelist's Film (So-seol-ga-ui Yeong-hwa) | ||||||
Coma | Bertrand Bonello | F | Encounters | +++ | + | ++ | ++ | ++ | Coma | ++ | + | ++ | + | +++ | + | +++ | Coma | ||||
Happer's Comet | Tyler Taormina | USA | Forum | + | Happer's Comet | + | + | - | Happer's Comet | ||||||||||||
Night After Night | Archie Mayo | USA | Retrospektive | + | Night After Night | ++ | Night After Night | ||||||||||||||
North Terminal (Terminal Norte) | Lucrecia Martel | AR | Special | + | North Terminal (Terminal Norte) | North Terminal (Terminal Norte) | |||||||||||||||
Nuclear Family | Travis Wilkerson, Erin Wilkerson | USA, SGP | Forum | + | + | Nuclear Family | - | + | Nuclear Family | ||||||||||||
Return to Dust (Yin ru chen yan) | Li Ruijun | VCH | Wettbewerb | + | + | +- | + | Return to Dust (Yin ru chen yan) | +- | -- | ++ | Return to Dust (Yin ru chen yan) | |||||||||
See You Friday, Robinson (À vendredi, Robinson) | Mitra Farahani | F | Encounters | + | + | See You Friday, Robinson (À vendredi, Robinson) | - | + | +++ | See You Friday, Robinson (À vendredi, Robinson) | |||||||||||
Before, Now & Then (Nana) | Kamila Andini | IDO | Wettbewerb | +- | - | Before, Now & Then (Nana) | + | +- | - | Before, Now & Then (Nana) | |||||||||||
Rimini | Ulrich Seidl | D, F, Ö, IT | Wettbewerb | +++ | +- | -- | -- | Rimini | + | -- | + | - | +- | ++ | Rimini | ||||||
True Confession | Wesley Ruggles | USA | Retrospektive | +- | True Confession | + | True Confession | ||||||||||||||
American Journal (Journal d'Amérique) | Arnaud des Pallières | F | Encounters | - | American Journal (Journal d'Amérique) | American Journal (Journal d'Amérique) | |||||||||||||||
Everything Will Be OK | Rithy Panh | KBO | Wettbewerb | -- | - | -- | Everything Will Be OK | - | Everything Will Be OK | ||||||||||||
2551.01 | Norbert Pfaffenbichler | Ö | 8. Woche der Kritik 2022 | +++ | +++ | 2551.01 | 2551.01 | ||||||||||||||
A Flower in the Mouth (Une fleur à la bouche) | Eric Baudelaire | D, F | Forum | ++ | ++ | + | A Flower in the Mouth (Une fleur à la bouche) | +++ | + | +- | +++ | A Flower in the Mouth (Une fleur à la bouche) | |||||||||
A Little Love Package | Gastón Solnicki | AR, Ö | Encounters | + | ++ | + | ++ | A Little Love Package | - | +- | +- | ++ | A Little Love Package | ||||||||
A Love Song | Max Walker-Silverman | USA | Panorama | A Love Song | + | - | +- | A Love Song | |||||||||||||
A Piece of Sky (Drii Winter) | Michael Koch | D, CH | Wettbewerb | + | + | +- | A Piece of Sky (Drii Winter) | +- | - | ++ | A Piece of Sky (Drii Winter) | ||||||||||
Against the Ice | Peter Flinth | IS, DK | Special | Against the Ice | -- | Against the Ice | |||||||||||||||
Alle Reden Übers Wetter | Annika Pinske | D | Panorama | + | + | Alle Reden Übers Wetter | -- | + | Alle Reden Übers Wetter | ||||||||||||
Axiom | Jöns Jönsson | D | Encounters | +- | + | +++ | Axiom | + | ++ | Axiom | |||||||||||
Beautiful Beings | Guðmundur Arnar Guðmundsson | S, IS, DK, CZ | Panorama | -- | + | Beautiful Beings | Beautiful Beings | ||||||||||||||
Beba | Rebeca Huntt | USA | Generation | Beba | + | Beba | |||||||||||||||
Boney Piles (Terykony) | Taras Tomenko | UA | Generation | - | Boney Piles (Terykony) | Boney Piles (Terykony) | |||||||||||||||
Brainwashed: Sex-Camera-Power | Nina Menkes | USA | Panorama | +- | +- | Brainwashed: Sex-Camera-Power | - | --- | Brainwashed: Sex-Camera-Power | ||||||||||||
Brother In Every Inch (Brat vo vsyom) | Alexander Zolotukhin | RUS | Encounters | +- | +- | + | Brother In Every Inch (Brat vo vsyom) | +- | +- | Brother In Every Inch (Brat vo vsyom) | |||||||||||
Bubble | Tetsurô Araki | JP | Generation | Bubble | + | Bubble | |||||||||||||||
Call Jane | Phyllis Nagy | USA | Wettbewerb | Call Jane | -- | - | +- | Call Jane | |||||||||||||
Camouflage (Camuflaje) | Jonathan Perel | AR | Forum | ++ | Camouflage (Camuflaje) | + | + | Camouflage (Camuflaje) | |||||||||||||
Concerned Citizen | Idan Haguel | D | Panorama | +- | + | Concerned Citizen | - | Concerned Citizen | |||||||||||||
Convenience Store (Produkty 24) | Michael Borodin | TR, RUS, SLO | Panorama | - | + | Convenience Store (Produkty 24) | - | Convenience Store (Produkty 24) | |||||||||||||
Dark Glasses - Blinde Angst (Occhiali Neri) | Dario Argento | F, IT | Special | -- | Dark Glasses - Blinde Angst (Occhiali Neri) | ++ | +++ | +- | + | ++ | Dark Glasses - Blinde Angst (Occhiali Neri) | ||||||||||
Das stille Mädchen (An Cailín Ciúin) | Colm Bairéad | IRL | Generation | + | Das stille Mädchen (An Cailín Ciúin) | Das stille Mädchen (An Cailín Ciúin) | |||||||||||||||
Design for Scandal | Norman Taurog | USA | Retrospektive | Design for Scandal | + | Design for Scandal | |||||||||||||||
Detours (Obkhodniye puti) | Ekaterina Selenkina | NL, RUS | 8. Woche der Kritik 2022 | +++ | Detours (Obkhodniye puti) | Detours (Obkhodniye puti) | |||||||||||||||
Die leere Mitte | Hito Steyerl | D | Forum | Die leere Mitte | ++ | + | Die leere Mitte | ||||||||||||||
Die Zeit, die wir teilen (À propos de Joan) | Laurent Larivière | D, F, IRL | Special | - | Die Zeit, die wir teilen (À propos de Joan) | --- | Die Zeit, die wir teilen (À propos de Joan) | ||||||||||||||
Dreaming Walls | Maya Duverdier, Amélie van Elmbt | F, S, B, NL | Panorama | Dreaming Walls | + | Dreaming Walls | |||||||||||||||
Dry Ground Burning (Mato seco em chamas) | Joana Pimenta, Adirley Queirós | P, BR | Forum | ++ | Dry Ground Burning (Mato seco em chamas) | ++ | Dry Ground Burning (Mato seco em chamas) | ||||||||||||||
Eine deutsche Partei | Simon Brückner | D | Special | ++ | Eine deutsche Partei | + | + | Eine deutsche Partei | |||||||||||||
Europe | Philip Scheffner | D | Forum | ++ | + | Europe | ++ | ++ | +- | Europe | |||||||||||
Every Day's a Holiday | A. Edward Sutherland | USA | Retrospektive | Every Day's a Holiday | +- | Every Day's a Holiday | |||||||||||||||
Flux Gourmet | Peter Strickland | USA, GB | Encounters | + | Flux Gourmet | + | + | - | - | - | Flux Gourmet | ||||||||||
Four's a Crowd | Michael Curtiz | USA | Retrospektive | Four's a Crowd | + | Four's a Crowd | |||||||||||||||
Für die Vielen - Die Arbeiterkammer Wien | Constantin Wulff | Ö | Forum | +++ | Für die Vielen - Die Arbeiterkammer Wien | +- | +- | Für die Vielen - Die Arbeiterkammer Wien | |||||||||||||
Gangubai Kathiawadi | Sanjay Leela Bhansali | IND | Special | Gangubai Kathiawadi | +++ | ++ | Gangubai Kathiawadi | ||||||||||||||
Geographies of Solitude | Jacquelyn Mills | CA | Forum | + | Geographies of Solitude | +- | Geographies of Solitude | ||||||||||||||
Gewalten | Constantin Hatz | D | Perspektive Deutsches Kino | - | +- | Gewalten | Gewalten | ||||||||||||||
Girl Picture (Tytöt tytöt tytöt) | Alli Haapasalo | FI | Generation | Girl Picture (Tytöt tytöt tytöt) | ++ | Girl Picture (Tytöt tytöt tytöt) | |||||||||||||||
Go West Young Man | Henry Hathaway | USA | Retrospektive | Go West Young Man | + | Go West Young Man | |||||||||||||||
Goin' to Town | Leslie Goodwins | USA | Retrospektive | Goin' to Town | +- | Goin' to Town | |||||||||||||||
Grand Jeté | Isabelle Stever | D | Panorama | ++ | ++ | +- | Grand Jeté | +- | - | - | Grand Jeté | ||||||||||
Hands Across the Table | Mitchell Leisen | USA | Retrospektive | Hands Across the Table | ++ | Hands Across the Table | |||||||||||||||
Hired Wife | William A. Seiter | USA | Retrospektive | Hired Wife | ++ | Hired Wife | |||||||||||||||
Hot in Day, Cold at Night (Naj-eneun deobgo bam-eneun chubgo) | Songyeol Park | ROK | Forum | ++ | + | Hot in Day, Cold at Night (Naj-eneun deobgo bam-eneun chubgo) | ++ | + | ++ | + | + | Hot in Day, Cold at Night (Naj-eneun deobgo bam-eneun chubgo) | |||||||||
In der Wüste | Rafael Fuster-Pardo | D | Forum | In der Wüste | ++ | In der Wüste | |||||||||||||||
Incredible but True (Incroyable mais vrai) | Quentin Dupieux | F | Special | ++ | ++ | + | +- | ++ | Incredible but True (Incroyable mais vrai) | ++ | + | -- | + | Incredible but True (Incroyable mais vrai) | |||||||
Into My Name (Nel mio nome) | Nicolò Bassetti | IT | Panorama | + | Into My Name (Nel mio nome) | Into My Name (Nel mio nome) | |||||||||||||||
Inu-oh (Inu-ô) | Masaaki Yuasa | JP, VCH | 8. Woche der Kritik 2022 | ++ | Inu-oh (Inu-ô) | Inu-oh (Inu-ô) | |||||||||||||||
Jet Lag | Xinyuan Zheng Lu | CH, Ö | Forum | Jet Lag | + | Jet Lag | |||||||||||||||
Kalle Kosmonaut | Christine Kugler, Günther Kurth | D | Generation | Kalle Kosmonaut | + | Kalle Kosmonaut | |||||||||||||||
Kind Hearts | Gerard-Jan Claes, Olivia Rochette | B | Generation | ++ | +- | Kind Hearts | ++ | Kind Hearts | |||||||||||||
Klondike | Maryna Er Gorbach | TR, UA | Panorama | ++ | Klondike | ++ | - | Klondike | |||||||||||||
Klondike Annie | Raoul Walsh | USA | Retrospektive | Klondike Annie | ++ | Klondike Annie | |||||||||||||||
Komm mit mir in das Cinema - Die Gregors | Alice Agneskirchner | D | Forum | ++ | Komm mit mir in das Cinema - Die Gregors | Komm mit mir in das Cinema - Die Gregors | |||||||||||||||
Ladies Only | Rebana Liz John | D, IND | Perspektive Deutsches Kino | Ladies Only | + | Ladies Only | |||||||||||||||
Lady by Choice | David Burton | USA | Retrospektive | Lady by Choice | ++ | Lady by Choice | |||||||||||||||
Leonora addio | Paolo Taviani | IT | Wettbewerb | ++ | Leonora addio | -- | +- | - | Leonora addio | ||||||||||||
Liebe, D-Mark und Tod (Love, Deutschmark and Death) | Cem Kaya | D | Panorama | Liebe, D-Mark und Tod (Love, Deutschmark and Death) | ++ | + | Liebe, D-Mark und Tod (Love, Deutschmark and Death) | ||||||||||||||
Love Is A Dog From Hell | Khavn | D, PH | 8. Woche der Kritik 2022 | +++ | Love Is A Dog From Hell | Love Is A Dog From Hell | |||||||||||||||
Lullaby (Cinco lobitos) | Alauda Ruiz de Azúa | E | Panorama | +- | ++ | Lullaby (Cinco lobitos) | Lullaby (Cinco lobitos) | ||||||||||||||
L’ état et moi | Max Linz | D | Forum | +- | L’ état et moi | +- | +- | L’ état et moi | |||||||||||||
Meine Stunden mit Leo (Good Luck to You, Leo Grande) | Sophie Hyde | GB | Special | Meine Stunden mit Leo (Good Luck to You, Leo Grande) | +- | Meine Stunden mit Leo (Good Luck to You, Leo Grande) | |||||||||||||||
Meine Zunge dreht sich nicht (Dilim dönmüyor) | Serpil Turhan | D | Forum | Meine Zunge dreht sich nicht (Dilim dönmüyor) | ++ | Meine Zunge dreht sich nicht (Dilim dönmüyor) | |||||||||||||||
Memoryland | Kim Quy Bui | VIE | Forum | + | Memoryland | + | Memoryland | ||||||||||||||
Millie Lies Low | Michelle Savill | NZ | Generation | Millie Lies Low | + | Millie Lies Low | |||||||||||||||
Mutzenbacher | Ruth Beckermann | Ö | Encounters | ++ | Mutzenbacher | ++ | +++ | +++ | ++ | ++ | + | Mutzenbacher | |||||||||
My Man Godfrey | Gregory La Cava | USA | Retrospektive | ++ | My Man Godfrey | +++ | My Man Godfrey | ||||||||||||||
My Sister Eileen | Alexander Hall | USA | Retrospektive | My Sister Eileen | + | My Sister Eileen | |||||||||||||||
My Small Land | Ema Kawawada | F, JP | Generation | +- | My Small Land | + | My Small Land | ||||||||||||||
My Two Voices (Mis dos voces) | Lina Rodriguez | CA | Forum | - | My Two Voices (Mis dos voces) | - | -- | My Two Voices (Mis dos voces) | |||||||||||||
Myanmar Diaries | The Myanmar Film Collective | NO, NL, | Panorama | +- | Myanmar Diaries | +- | Myanmar Diaries | ||||||||||||||
No Simple Way Home | Akuol de Mabior | ZA, KEN | Panorama | No Simple Way Home | - | No Simple Way Home | |||||||||||||||
No U-Turn | Ike Nnaebue | D, F, ZA, NGR | Panorama | No U-Turn | ++ | No U-Turn | |||||||||||||||
Northern Skies Over Empty Space (El norte sobre el vacío) | Alejandra Márquez Abella | MEX | Panorama | Northern Skies Over Empty Space (El norte sobre el vacío) | ++ | ++ | Northern Skies Over Empty Space (El norte sobre el vacío) | ||||||||||||||
One Year, One Night (Un año, una noche) | Isaki Lacuesta | F, E | Wettbewerb | + | --- | - | One Year, One Night (Un año, una noche) | - | - | -- | + | One Year, One Night (Un año, una noche) | |||||||||
Peter von Kant | François Ozon | F | Wettbewerb | + | + | - | Peter von Kant | - | + | +- | +- | - | -- | -- | Peter von Kant | ||||||
Poet (Akyn) | Darezhan Omirbayev | KZ | Forum | + | Poet (Akyn) | +++ | + | Poet (Akyn) | |||||||||||||
Queens of the Qing Dynasty | Ashley McKenzie | CA | Encounters | - | Queens of the Qing Dynasty | ++ | Queens of the Qing Dynasty | ||||||||||||||
Rabiye Kurnaz gegen George W. Bush | Andreas Dresen | D | Wettbewerb | - | Rabiye Kurnaz gegen George W. Bush | - | - | Rabiye Kurnaz gegen George W. Bush | |||||||||||||
Rewind & Play | Alain Gomis | D, F | Forum | Rewind & Play | ++ | Rewind & Play | |||||||||||||||
Robe of Gems (Manto de Gemas) | Natalia López | MEX | Wettbewerb | ++ | + | -- | +- | -- | Robe of Gems (Manto de Gemas) | - | -- | -- | + | -- | Robe of Gems (Manto de Gemas) | ||||||
Rookies (Allons enfants) | Thierry Demaizière, Alban Teurlai | F | Generation | +- | - | Rookies (Allons enfants) | Rookies (Allons enfants) | ||||||||||||||
Scala | TH | Forum | Scala | +- | - | + | Scala | ||||||||||||||
Scheme (Skhema) | Farkhat Sharipov | KZ | Generation | - | Scheme (Skhema) | Scheme (Skhema) | |||||||||||||||
Sein oder Nichtsein (To Be or Not to Be) | Ernst Lubitsch | USA | Retrospektive | +++ | Sein oder Nichtsein (To Be or Not to Be) | +++ | Sein oder Nichtsein (To Be or Not to Be) | ||||||||||||||
She Done Him Wrong | Lowell Sherman | USA | Retrospektive | She Done Him Wrong | + | She Done Him Wrong | |||||||||||||||
Somewhere Over the Chemtrails (Kdyby radsi horelo) | Adam Rybanský | CZ | Panorama | + | Somewhere Over the Chemtrails (Kdyby radsi horelo) | Somewhere Over the Chemtrails (Kdyby radsi horelo) | |||||||||||||||
Striking Land (Terra que marca) | Raul Domingues | P | Forum | +- | Striking Land (Terra que marca) | +- | -- | Striking Land (Terra que marca) | |||||||||||||
Sublime | Mariano Biasin | AR | Generation | Sublime | - | Sublime | |||||||||||||||
Super Natural | Jorge Jácome | P | Forum | ++ | Super Natural | +- | Super Natural | ||||||||||||||
Swing Ride (Calcinculo) | Chiara Bellosi | IT | Panorama | Swing Ride (Calcinculo) | -- | Swing Ride (Calcinculo) | |||||||||||||||
Take a Letter, Darling | Mitchell Leisen | USA | Retrospektive | Take a Letter, Darling | +++ | Take a Letter, Darling | |||||||||||||||
Taurus | Tim Sutton | USA | Panorama | Taurus | ++ | Taurus | |||||||||||||||
That Kind of Summer (Un été comme ça) | Denis Côté | CA | Wettbewerb | ++ | That Kind of Summer (Un été comme ça) | -- | +- | That Kind of Summer (Un été comme ça) | |||||||||||||
The Appartment with Two Women (Gat-eun sog-os-eul ibneun du yeoja) | Se-In Kim | ROK | Panorama | ++ | The Appartment with Two Women (Gat-eun sog-os-eul ibneun du yeoja) | The Appartment with Two Women (Gat-eun sog-os-eul ibneun du yeoja) | |||||||||||||||
The Apple Day (Rooz-e sib) | Mahmoud Ghaffari | IR | Generation | +- | The Apple Day (Rooz-e sib) | The Apple Day (Rooz-e sib) | |||||||||||||||
The City and the City | Syllas Tzoumerkas, Christos Passalis | D, USA, GR | Encounters | - | The City and the City | The City and the City | |||||||||||||||
The Dream and the Radio (Le rêve et la radio) | CA | 8. Woche der Kritik 2022 | +++ | The Dream and the Radio (Le rêve et la radio) | The Dream and the Radio (Le rêve et la radio) | ||||||||||||||||
The Hill of Secrets (Bimileui eondeok) | Ji-eun Lee | ROK | Generation | +++ | The Hill of Secrets (Bimileui eondeok) | The Hill of Secrets (Bimileui eondeok) | |||||||||||||||
The Kegelstatt Trio (O trio em mi bemol) | Rita Azevedo Gomes | E, P | Forum | + | ++ | The Kegelstatt Trio (O trio em mi bemol) | ++ | The Kegelstatt Trio (O trio em mi bemol) | |||||||||||||
The Land of Sasha | Yulia Trofimova | RUS | Generation | +- | The Land of Sasha | The Land of Sasha | |||||||||||||||
The Line (La ligne) | Ursula Meier | F, CH, B | Wettbewerb | +++ | + | The Line (La ligne) | +- | + | - | +- | The Line (La ligne) | ||||||||||
The Middle Ages (La Edad media) | Luciana Acuña | AR | Forum | The Middle Ages (La Edad media) | ++ | The Middle Ages (La Edad media) | |||||||||||||||
The United States of America | James Benning | USA | Forum | The United States of America | + | ++ | The United States of America | ||||||||||||||
The Veteran (El veterano) | Jerónimo Rodríguez | CHI | Forum | +++ | The Veteran (El veterano) | The Veteran (El veterano) | |||||||||||||||
This House (Cette maison) | Miryam Charles | CA | Forum | + | This House (Cette maison) | + | This House (Cette maison) | ||||||||||||||
This Thing Called Love | Alexander Hall | USA | Retrospektive | This Thing Called Love | ++ | This Thing Called Love | |||||||||||||||
Three Tidy Tigers Tied A Tie Tighter (Três Tigres Tristes) | Gustavo Vinagre | BR | Forum | + | Three Tidy Tigers Tied A Tie Tighter (Três Tigres Tristes) | +- | Three Tidy Tigers Tied A Tie Tighter (Três Tigres Tristes) | ||||||||||||||
Twentieth Century | Howard Hawks | USA | Retrospektive | Twentieth Century | ++ | Twentieth Century | |||||||||||||||
Una Femmina - The Code of Silence (Una femmina) | Francesco Costabile | IT | Panorama | - | Una Femmina - The Code of Silence (Una femmina) | Una Femmina - The Code of Silence (Una femmina) | |||||||||||||||
Until Tomorrow (Ta farda) | Ali Asgari | F, IR, QA | Panorama | +- | + | Until Tomorrow (Ta farda) | Until Tomorrow (Ta farda) | ||||||||||||||
Waters of Pastaza (Juunt Pastaza entsari) | Inês T. Alves | P | Forum | +- | - | Waters of Pastaza (Juunt Pastaza entsari) | - | Waters of Pastaza (Juunt Pastaza entsari) | |||||||||||||
We Haven't Lost Our Way | Wilhelm Sasnal, Anna Sasnal | PL | Forum | We Haven't Lost Our Way | - | + | We Haven't Lost Our Way | ||||||||||||||
We, Students! (Nous, étudiants!) | Rafiki Fariala | F, Ko, , | Panorama | + | + | We, Students! (Nous, étudiants!) | + | We, Students! (Nous, étudiants!) | |||||||||||||
West Indies | Med Hondo | F, AL, | Forum | West Indies | ++ | ++ | - | West Indies | |||||||||||||
What a Woman! | Irving Cummings | USA | Retrospektive | What a Woman! | ++ | What a Woman! | |||||||||||||||
Wir könnten genauso gut tot sein | Natalia Sinelnikova | D, RO | Perspektive Deutsches Kino | ++ | Wir könnten genauso gut tot sein | Wir könnten genauso gut tot sein | |||||||||||||||
Working Class Heroes (Heroji radnicke klase) | Milos Pusic | SER | Panorama | -- | Working Class Heroes (Heroji radnicke klase) | Working Class Heroes (Heroji radnicke klase) | |||||||||||||||
Zum Tod meiner Mutter | Jessica Krummacher | D | Encounters | + | ++ | Zum Tod meiner Mutter | +++ | Zum Tod meiner Mutter | |||||||||||||
Titel (OT) | Regie | Land | Sektion | Andrey Arnold Die Presse | Dunja Bialas artechock | Hannes Brühwiler critic.de | Jérôme d'Estais Septième Obsession | Devika Girish Film Comment | Martin Gobbin critic.de | David Hudson Criterion | Frédéric Jaeger critic.de | Titel (OT) | Jenny Jecke Moviepilot | Till Kadritzke critic.de | Anne Küper critic.de | Michael Kienzl critic.de | G.Marchini Camia Sight & Sound | Jonas Nestroy critic.de | Philipp Schwarz critic.de | Rüdiger Suchsland artechock | Titel (OT) |