Titel (OT) | Regie | Land | Sektion | Andrey Arnold Presse | Dunja Bialas artechock | Hannes Brühwiler critic.de | Martin Gobbin Negativ | David Hudson Criterion | Jenny Jecke Moviepilot | Till Kadritzke critic.de | Michael Kienzl critic.de | Titel (OT) | Kevin B. Lee alsolikelife | Maurice Lahde critic.de | Adina Lauenburger critic.de | Dana Linssen Filmkrant | G.Marchini Camia Sight & Sound | Karsten Munt Berliner Zeitung | Boris Nelepo Svoboda.org | Jonas Nestroy critic.de | Sonja M. Schultz critic.de | Philipp Schwarz Spiegel | Rüdiger Suchsland artechock | Titel (OT) |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Nardjes A. | Karim Aïnouz | F, BR, AL, QA | Panorama | + | Nardjes A. | Nardjes A. | ||||||||||||||||||
Salomon und die Königin von Saba (Solomon and Sheba) | King Vidor | USA | Retrospektive | + | Salomon und die Königin von Saba (Solomon and Sheba) | Salomon und die Königin von Saba (Solomon and Sheba) | ||||||||||||||||||
Unser tägliches Brot (Our Daily Bread) | King Vidor | USA | Retrospektive | +- | ++ | Unser tägliches Brot (Our Daily Bread) | Unser tägliches Brot (Our Daily Bread) | |||||||||||||||||
Cynara | King Vidor | USA | Retrospektive | ++ | Cynara | ++ | Cynara | |||||||||||||||||
Grenzpolizei Texas (The Texas Rangers) | King Vidor | USA | Retrospektive | ++ | Grenzpolizei Texas (The Texas Rangers) | +- | Grenzpolizei Texas (The Texas Rangers) | |||||||||||||||||
Billy the Kid | King Vidor | USA | Retrospektive | +- | Billy the Kid | Billy the Kid | ||||||||||||||||||
Frem | Viera Cákanyová | SL | Forum | +- | Frem | + | ++ | Frem | ||||||||||||||||
The Two Sights (Caolas na Hearadh) | Joshua Bonnetta | GB, CA | Forum | The Two Sights (Caolas na Hearadh) | ++ | +- | The Two Sights (Caolas na Hearadh) | |||||||||||||||||
H.M. Pulham, Esq. | King Vidor | USA | Retrospektive | +++ | H.M. Pulham, Esq. | H.M. Pulham, Esq. | ||||||||||||||||||
DAU. Degeneration (DAU. Degeneratsiya) | Ilya Khrzhanovskiy, Ilya Permyakov | D, GB, UA, | Special | DAU. Degeneration (DAU. Degeneratsiya) | +++ | DAU. Degeneration (DAU. Degeneratsiya) | ||||||||||||||||||
Zeus Machine. The Invincible (Zeus Machine. L’invincibile ) | David Zamagni, Nadia Ranocchi | IT | Forum | Zeus Machine. The Invincible (Zeus Machine. L’invincibile ) | -- | Zeus Machine. The Invincible (Zeus Machine. L’invincibile ) | ||||||||||||||||||
Wildes Blut (Ruby Gentry) | King Vidor | USA | Retrospektive | ++ | + | +++ | Wildes Blut (Ruby Gentry) | ++ | + | Wildes Blut (Ruby Gentry) | ||||||||||||||
Bis an die Grenze (Police) | Anne Fontaine | F | Special | + | Bis an die Grenze (Police) | +- | Bis an die Grenze (Police) | |||||||||||||||||
The Metamorphosis of Birds (A Metamorfose dos Pássaros) | Catarina Vasconcelos | P | Encounters | ++ | + | The Metamorphosis of Birds (A Metamorfose dos Pássaros) | + | + | The Metamorphosis of Birds (A Metamorfose dos Pássaros) | |||||||||||||||
Doch das Böse gibt es nicht (There Is No Evil) | Mohammad Rasoulof | D, IR, CZ | Wettbewerb | + | +- | +- | Doch das Böse gibt es nicht (There Is No Evil) | + | + | +- | - | Doch das Böse gibt es nicht (There Is No Evil) | ||||||||||||
Irradiated | Rithy Panh | F, KBO | Wettbewerb | + | +- | - | + | Irradiated | +- | +- | + | +- | Irradiated | |||||||||||
Ein Fisch, der auf dem Rücken schwimmt | Eliza Petkova | D | Perspektive Deutsches Kino | ++ | Ein Fisch, der auf dem Rücken schwimmt | Ein Fisch, der auf dem Rücken schwimmt | ||||||||||||||||||
Mare | Andrea Štaka | CH, CR | Panorama | - | Mare | Mare | ||||||||||||||||||
Schlaf | Michael Venus | D | Perspektive Deutsches Kino | + | Schlaf | Schlaf | ||||||||||||||||||
Automotive | Jonas Heldt | D | Perspektive Deutsches Kino | + | Automotive | Automotive | ||||||||||||||||||
Kids Run | Barbara Ott | D | Perspektive Deutsches Kino | -- | Kids Run | Kids Run | ||||||||||||||||||
Walchensee Forever | Janna Ji Wonders | D | Perspektive Deutsches Kino | + | Walchensee Forever | Walchensee Forever | ||||||||||||||||||
Garagenvolk | Natalija Yefimkina | D | Perspektive Deutsches Kino | - | Garagenvolk | ++ | Garagenvolk | |||||||||||||||||
Amazon Mirror (O Reflexo do Lago) | Fernando Segtowick | BR | Panorama | Amazon Mirror (O Reflexo do Lago) | + | Amazon Mirror (O Reflexo do Lago) | ||||||||||||||||||
Saudi Runaway | Susanne Regina Meures | CH | Panorama | Saudi Runaway | ++ | +++ | Saudi Runaway | |||||||||||||||||
The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) | Anders Edström, C.W. Winter | GB, S, JP | Encounters | The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) | +- | The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) | ||||||||||||||||||
Daleká cesta (Der weite Weg) | Alfréd Radok | CZ | Retrospektive | Daleká cesta (Der weite Weg) | +++ | Daleká cesta (Der weite Weg) | ||||||||||||||||||
Eine Prämie für Irene | Helke Sander | D | Forum | Eine Prämie für Irene | ++ | Eine Prämie für Irene | ||||||||||||||||||
Surge | Aneil Karia | GB | Panorama | Surge | + | Surge | ||||||||||||||||||
Ein Mann wie Sprengstoff (The Fountainhead) | King Vidor | USA | Retrospektive | +- | ++ | Ein Mann wie Sprengstoff (The Fountainhead) | +- | Ein Mann wie Sprengstoff (The Fountainhead) | ||||||||||||||||
Nordwest-Passage (Northwest Passage) | King Vidor, W.S. Van Dyke, Jack Conway | USA | Retrospektive | + | Nordwest-Passage (Northwest Passage) | Nordwest-Passage (Northwest Passage) | ||||||||||||||||||
Kill It and Leave This Town | Mariusz Wilczynski | PL | Encounters | Kill It and Leave This Town | + | Kill It and Leave This Town | ||||||||||||||||||
The Phone of the Wind (Kaze no denwa) | Nobuhiro Suwa | JP | Generation | + | The Phone of the Wind (Kaze no denwa) | The Phone of the Wind (Kaze no denwa) | ||||||||||||||||||
Wagenknecht | Sandra Kaudelka | D | Perspektive Deutsches Kino | - | Wagenknecht | ++ | ++ | Wagenknecht | ||||||||||||||||
Petit Samedi | Paloma Sermon-Daï | B | Forum | Petit Samedi | + | Petit Samedi | ||||||||||||||||||
Days (Rizi) | Tsai Ming-#Liang | TW | Wettbewerb | +++ | +++ | ++ | ++ | +++ | ++ | Days (Rizi) | + | ++ | +++ | ++ | ++ | ++ | ++ | ++ | +- | Days (Rizi) | ||||
Speer Goes to Hollywood | Vanessa Lapa | ISR | Special | Speer Goes to Hollywood | +- | Speer Goes to Hollywood | ||||||||||||||||||
Rififi am Karfreitag (The Long Good Friday) | John Mackenzie | GB | Retrospektive | Rififi am Karfreitag (The Long Good Friday) | + | ++ | Rififi am Karfreitag (The Long Good Friday) | |||||||||||||||||
The Exit of the Trains (Iesirea trenurilor din gara) | Radu Jude, Adrian Cioflâncã | RO | Forum | ++ | The Exit of the Trains (Iesirea trenurilor din gara) | The Exit of the Trains (Iesirea trenurilor din gara) | ||||||||||||||||||
Berlin Alexanderplatz | Burhan Qurbani | D | Wettbewerb | + | + | +++ | ++ | Berlin Alexanderplatz | +- | ++ | ++ | Berlin Alexanderplatz | ||||||||||||
Street Scene | King Vidor | USA | Retrospektive | + | + | Street Scene | Street Scene | |||||||||||||||||
Shirley | Josephine Decker | USA | Encounters | + | - | + | Shirley | ++ | +- | Shirley | ||||||||||||||
Die letzte Stadt | Heinz Emigholz | D | Encounters | ++ | Die letzte Stadt | +- | + | +- | Die letzte Stadt | |||||||||||||||
DAU. Natasha | Ilya Khrzhanovskiy, Jekaterina Oertel | D, GB, RUS, UA | Wettbewerb | ++ | ++ | + | +- | DAU. Natasha | -- | -- | +++ | +++ | - | - | +++ | DAU. Natasha | ||||||||
Isabella | Matías Piñeiro | F, AR | Encounters | +- | - | Isabella | + | - | +- | Isabella | ||||||||||||||
Wege des Lebens - The Roads Not Taken (The Roads Not Taken) | Sally Potter | USA, GB, S | Wettbewerb | -- | Wege des Lebens - The Roads Not Taken (The Roads Not Taken) | + | --- | -- | -- | -- | Wege des Lebens - The Roads Not Taken (The Roads Not Taken) | |||||||||||||
Das Purpurmeer | Khaled Abdulwahed, Amel Alzakout | D | Forum Expanded | Das Purpurmeer | +++ | Das Purpurmeer | ||||||||||||||||||
The Viewing Booth | Ra'anan Alexandrowicz | USA | Forum | + | The Viewing Booth | +++ | + | +++ | ++ | The Viewing Booth | ||||||||||||||
Lightning Strikes Twice | King Vidor | USA | Retrospektive | + | Lightning Strikes Twice | Lightning Strikes Twice | ||||||||||||||||||
Niemals Selten Manchmal Immer (Never, Rarely, Sometimes, Always) | Eliza Hittman | USA, GB | Wettbewerb | +++ | ++ | ++ | +++ | + | Niemals Selten Manchmal Immer (Never, Rarely, Sometimes, Always) | + | +++ | +++ | ++ | +++ | ++ | Niemals Selten Manchmal Immer (Never, Rarely, Sometimes, Always) | ||||||||
Goddess of the Fireflies (La déesse des mouches à feu) | Anaïs Barbeau-Lavalette | CA | Generation | +++ | Goddess of the Fireflies (La déesse des mouches à feu) | ++ | Goddess of the Fireflies (La déesse des mouches à feu) | |||||||||||||||||
Bad Tales (Favolacce) | Damiano D'Innocenzo, Fabio D'Innocenzo | CH, IT | Wettbewerb | -- | Bad Tales (Favolacce) | +- | - | Bad Tales (Favolacce) | ||||||||||||||||
The Trouble with Being Born | Sandra Wollner | D | Encounters | + | - | +++ | - | The Trouble with Being Born | ++ | -- | -- | - | +++ | The Trouble with Being Born | ||||||||||
The Woman Who Ran (Domangchin yeoja) | Hong Sang-soo | ROK | Wettbewerb | ++ | +++ | ++ | + | +++ | The Woman Who Ran (Domangchin yeoja) | ++ | ++ | +++ | +++ | +++ | ++ | ++ | The Woman Who Ran (Domangchin yeoja) | |||||||
Was bleibt | Clarissa Thieme | D | Forum | Was bleibt | + | Was bleibt | ||||||||||||||||||
Uppercase Print | Radu Jude | RO | Forum | + | ++ | Uppercase Print | ++ | ++ | +- | ++ | + | Uppercase Print | ||||||||||||
The Calming | Song Fang | VCH | Forum | -- | The Calming | + | The Calming | |||||||||||||||||
Orphea | Khavn, Alexander Kluge | D | Encounters | Orphea | + | ++ | + | Orphea | ||||||||||||||||
Stella Dallas | King Vidor | USA | Retrospektive | ++ | ++ | Stella Dallas | Stella Dallas | |||||||||||||||||
Our Lady of the Nile (Notre-Dame du Nil) | Atiq Rahimi | F, B, RW | Generation | + | Our Lady of the Nile (Notre-Dame du Nil) | Our Lady of the Nile (Notre-Dame du Nil) | ||||||||||||||||||
Funny Face | Tim Sutton | USA | Encounters | - | + | Funny Face | +- | Funny Face | ||||||||||||||||
Siberia | Abel Ferrara | D, IT, MEX | Wettbewerb | +++ | + | --- | ++ | + | Siberia | + | + | --- | + | ++ | -- | --- | + | Siberia | ||||||
Schwesterlein | Stéphanie Chuat, Véronique Reymond | D, CH | Wettbewerb | + | - | Schwesterlein | + | ++ | -- | Schwesterlein | ||||||||||||||
Paris Calligrammes | Ulrike Ottinger | D, F | Special | + | Paris Calligrammes | ++ | +++ | Paris Calligrammes | ||||||||||||||||
Pinocchio | Matteo Garrone | F, GB, IT | Special | - | Pinocchio | - | Pinocchio | |||||||||||||||||
Servants | Ivan Ostrochovský | IRL, RO, CZ, SL | Encounters | + | Servants | - | +- | Servants | ||||||||||||||||
Kunst kommt aus dem Schnabel wie er gewachsen ist | Sabine Herpich | D | Forum | ++ | ++ | Kunst kommt aus dem Schnabel wie er gewachsen ist | ++ | ++ | Kunst kommt aus dem Schnabel wie er gewachsen ist | |||||||||||||||
Delete History (Effacer l'historique) | Benoît Delépine, Gustave Kervern | F, B | Wettbewerb | -- | Delete History (Effacer l'historique) | + | Delete History (Effacer l'historique) | |||||||||||||||||
Corporate Responsibility (Responsabilidad empresarial) | Jonathan Perel | AR | Forum | Corporate Responsibility (Responsabilidad empresarial) | +++ | + | + | -- | Corporate Responsibility (Responsabilidad empresarial) | |||||||||||||||
Los Fantasmas | Sebastian Lojo | GT | 6. Woche der Kritik 2020 | + | Los Fantasmas | +- | Los Fantasmas | |||||||||||||||||
The Ceremony (Gishiki) | Nagisa Ôshima | JP | Forum | +++ | The Ceremony (Gishiki) | + | +++ | The Ceremony (Gishiki) | ||||||||||||||||
Oeconomia | Carmen Losmann | D | Forum | Oeconomia | +++ | Oeconomia | ||||||||||||||||||
Japanese War Bride | King Vidor | USA | Retrospektive | + | Japanese War Bride | Japanese War Bride | ||||||||||||||||||
Comrade X | King Vidor | USA | Retrospektive | - | + | + | Comrade X | Comrade X | ||||||||||||||||
Mit stahlharter Faust (Man Without a Star) | King Vidor | USA | Retrospektive | ++ | Mit stahlharter Faust (Man Without a Star) | Mit stahlharter Faust (Man Without a Star) | ||||||||||||||||||
The Alien (Namo) | Nader Saeivar | IR | Forum | + | The Alien (Namo) | The Alien (Namo) | ||||||||||||||||||
All the Dead Ones (Todos os Mortos) | Marco Dutra, Caetano Gotardo | F, BR | Wettbewerb | +++ | ++ | ++ | ++ | All the Dead Ones (Todos os Mortos) | ++ | - | - | All the Dead Ones (Todos os Mortos) | ||||||||||||
Mogul Mowgli | Bassam Tariq | USA, GB | Panorama | - | - | Mogul Mowgli | Mogul Mowgli | |||||||||||||||||
Undine | Christian Petzold | D, F | Wettbewerb | +++ | + | ++ | ++ | ++ | +++ | +++ | + | Undine | ++ | ++ | ++ | + | + | +++ | + | + | Undine | |||
Persischstunden (Persian Lessons) | Vadim Perelman | D, RUS | Special | -- | Persischstunden (Persian Lessons) | ++ | Persischstunden (Persian Lessons) | |||||||||||||||||
The Salt of Tears (Le sel des larmes) | Philippe Garrel | F, CH | Wettbewerb | ++ | ++ | + | ++ | +- | The Salt of Tears (Le sel des larmes) | - | + | -- | +++ | +- | -- | ++ | The Salt of Tears (Le sel des larmes) | |||||||
The Assistant | Kitty Green | USA | Panorama | + | ++ | ++ | ++ | +- | The Assistant | +- | + | + | The Assistant | |||||||||||
High Ground - Der Kopfgeldjäger (High Ground) | Stephen Johnson | AUS | Special | High Ground - Der Kopfgeldjäger (High Ground) | --- | High Ground - Der Kopfgeldjäger (High Ground) | ||||||||||||||||||
Yalda, A Night for Forgiveness (Yalda) | Massoud Bakhshi | F, CH, L, IR | Generation | - | Yalda, A Night for Forgiveness (Yalda) | -- | Yalda, A Night for Forgiveness (Yalda) | |||||||||||||||||
Gunda | Viktor Kosakovskiy | USA, NO | Encounters | Gunda | + | + | ++ | --- | Gunda | |||||||||||||||
One of These Days | Bastian Günther | D | Panorama | ++ | ++ | One of These Days | ++ | One of These Days | ||||||||||||||||
Hallelujah | King Vidor | USA | Retrospektive | ++ | Hallelujah | Hallelujah | ||||||||||||||||||
Der Champ (The Champ) | King Vidor | USA | Retrospektive | ++ | Der Champ (The Champ) | Der Champ (The Champ) | ||||||||||||||||||
First Cow | Kelly Reichardt | USA | Wettbewerb | ++ | ++ | +++ | +- | ++ | ++ | +++ | ++ | First Cow | +++ | +++ | +++ | ++ | +++ | ++ | + | ++ | First Cow | |||
Los conductos | Camilo Restrepo | F, BR, KOL | Encounters | --- | +- | Los conductos | + | + | Los conductos | |||||||||||||||
Minamata | Andrew Levitas | USA | Special | --- | Minamata | Minamata | ||||||||||||||||||
Time to Hunt | Yoon Sung-Hyun | ROK | Special | +- | + | Time to Hunt | ++ | + | Time to Hunt | |||||||||||||||
Strike or Die (Grève ou crève) | Jonathan Rescigno | F | Forum | ++ | Strike or Die (Grève ou crève) | +++ | ++ | Strike or Die (Grève ou crève) | ||||||||||||||||
The Intruder (El Prófugo) | Natalia Meta | AR, MEX | Wettbewerb | + | - | +- | +- | + | The Intruder (El Prófugo) | - | + | + | + | - | + | The Intruder (El Prófugo) | ||||||||
Schlingensief – In das Schweigen hineinschreien | Bettina Böhler | D | Panorama | + | Schlingensief – In das Schweigen hineinschreien | +- | +++ | +- | Schlingensief – In das Schweigen hineinschreien | |||||||||||||||
Die Zahlen (Nomera) | Oleg Sentsov, Akhtem Seitablaev | F, CZ, PL, UA | Special | Die Zahlen (Nomera) | - | Die Zahlen (Nomera) | ||||||||||||||||||
Hidden Away (Volevo nascondermi) | Giorgio Diritti | IT | Wettbewerb | +++ | + | + | +- | Hidden Away (Volevo nascondermi) | +- | + | +- | Hidden Away (Volevo nascondermi) | ||||||||||||
Onward: Keine halben Sachen (Onward) | Dan Scanlon | USA | Special | - | ++ | Onward: Keine halben Sachen (Onward) | Onward: Keine halben Sachen (Onward) | |||||||||||||||||
Nackte Tiere | Melanie Waelde | D | Encounters | - | +- | +- | Nackte Tiere | + | - | Nackte Tiere | ||||||||||||||
The House of Love (La casa dell'amore) | Luca Ferri | IT | Forum | + | The House of Love (La casa dell'amore) | The House of Love (La casa dell'amore) | ||||||||||||||||||
Malmkrog | Cristi Puiu | CH, S, RO, BO, SER, MK | Encounters | +++ | ++ | + | ++ | +++ | + | Malmkrog | + | + | +++ | - | Malmkrog | |||||||||
Anne at 13,000 ft | Kazik Radwanski | CA | Forum | ++ | ++ | + | ++ | ++ | Anne at 13,000 ft | + | + | + | - | Anne at 13,000 ft | ||||||||||
Faith | Valentina Pedicini | IT | 6. Woche der Kritik 2020 | Faith | + | Faith | ||||||||||||||||||
Ein Mensch der Masse (The Crowd) | King Vidor | USA | Retrospektive | ++ | +++ | Ein Mensch der Masse (The Crowd) | Ein Mensch der Masse (The Crowd) | |||||||||||||||||
My Salinger Year | Philippe Falardeau | USA | Special | ++ | -- | + | -- | - | My Salinger Year | ++ | -- | - | My Salinger Year | |||||||||||
Swimming Out Till the Sea Turns Blue (Yi zhi you dao hai shui bian lan) | Jia Zhangke | VCH | Special | - | + | + | Swimming Out Till the Sea Turns Blue (Yi zhi you dao hai shui bian lan) | + | + | +- | ++ | - | - | + | ++ | Swimming Out Till the Sea Turns Blue (Yi zhi you dao hai shui bian lan) | ||||||||
Sweet Thing | Alexandre Rockwell | USA | Generation | ++ | + | + | Sweet Thing | ++ | Sweet Thing | |||||||||||||||
Schoolgirls (Las niñas) | Pilar Palomero | E | Generation | Schoolgirls (Las niñas) | + | Schoolgirls (Las niñas) | ||||||||||||||||||
Chronicle of Space (Sthalpuran) | Akshay Indikar | IND | Generation | Chronicle of Space (Sthalpuran) | ++ | Chronicle of Space (Sthalpuran) | ||||||||||||||||||
My Name is Baghdad (Meu Nome é Bagdá) | Caru Alves de Souza | BR | Generation | My Name is Baghdad (Meu Nome é Bagdá) | +- | My Name is Baghdad (Meu Nome é Bagdá) | ||||||||||||||||||
I Dream of Singapore | Lei Yuan Bin | SGP | Panorama | I Dream of Singapore | +- | - | I Dream of Singapore | |||||||||||||||||
Ordinary Justice (Palazzo di giustizia) | Chiara Bellosi | CH, IT | Generation | Ordinary Justice (Palazzo di giustizia) | - | Ordinary Justice (Palazzo di giustizia) | ||||||||||||||||||
À L'abordage | Guillaume Brac | F | Panorama | À L'abordage | + | ++ | À L'abordage | |||||||||||||||||
Divinely Evil (Vil, Má) | Gustavo Vinagre | BR | Forum | Divinely Evil (Vil, Má) | +- | Divinely Evil (Vil, Má) | ||||||||||||||||||
Zero (Seishin 0) | Kazuhiro Soda | JP | Forum | Zero (Seishin 0) | + | ++ | Zero (Seishin 0) | |||||||||||||||||
Seven Years in May (Sete anos em Maio) | Affonso Uchoa | BR | 6. Woche der Kritik 2020 | Seven Years in May (Sete anos em Maio) | ++ | Seven Years in May (Sete anos em Maio) | ||||||||||||||||||
Mare's Tail | David Larcher | GB | Forum | Mare's Tail | ++ | +++ | Mare's Tail | |||||||||||||||||
W.R. - Mysterien des Organismus (W.R. - Misterije organizma) | Dusan Makavejev | JU | Forum | ++ | ++ | ++ | W.R. - Mysterien des Organismus (W.R. - Misterije organizma) | ++ | W.R. - Mysterien des Organismus (W.R. - Misterije organizma) | |||||||||||||||
The Great Chicago Conspirary Circus (Chicago 70) | Kerry Feltham | USA, CA | Forum | - | The Great Chicago Conspirary Circus (Chicago 70) | +- | The Great Chicago Conspirary Circus (Chicago 70) | |||||||||||||||||
Mauern aus Ton (Ramparts of Clay) | Jean-Louis Bertuccelli | F, AL | Forum | +++ | Mauern aus Ton (Ramparts of Clay) | Mauern aus Ton (Ramparts of Clay) | ||||||||||||||||||
Der große Verhau | Alexander Kluge | D | Forum | + | + | + | Der große Verhau | Der große Verhau | ||||||||||||||||
Ostia | Sergio Citti | IT | Forum | +- | Ostia | + | Ostia | |||||||||||||||||
The Murder of Fred Hampton | Howard Alk | USA | Forum | ++ | The Murder of Fred Hampton | ++ | ++ | The Murder of Fred Hampton | ||||||||||||||||
Real Adventure | King Vidor | USA | Retrospektive | + | Real Adventure | + | Real Adventure | |||||||||||||||||
The Wedding Night | King Vidor | D | Retrospektive | +++ | The Wedding Night | The Wedding Night | ||||||||||||||||||
Die Zitadelle (The Citadel) | King Vidor | USA | Retrospektive | ++ | Die Zitadelle (The Citadel) | Die Zitadelle (The Citadel) | ||||||||||||||||||
Der Stachel des Bösen (Beyond the Forest) | King Vidor | USA | Retrospektive | +++ | +++ | Der Stachel des Bösen (Beyond the Forest) | +++ | +++ | +++ | Der Stachel des Bösen (Beyond the Forest) | ||||||||||||||
Soleil Ô | Med Hondo | F, | Forum | ++ | + | Soleil Ô | ++ | Soleil Ô | ||||||||||||||||
End of the Dialogue (Phela-ndaba) | ZA | Forum | ++ | ++ | End of the Dialogue (Phela-ndaba) | End of the Dialogue (Phela-ndaba) | ||||||||||||||||||
Eldridge Cleaver, Black Panther (Eldridge Cleaver) | William Klein | F, AL | Forum | + | + | Eldridge Cleaver, Black Panther (Eldridge Cleaver) | Eldridge Cleaver, Black Panther (Eldridge Cleaver) | |||||||||||||||||
After the Crossing (Traverser) | Joël Richmond Mathieu Akafou | F, B, BFA | Forum | + | After the Crossing (Traverser) | After the Crossing (Traverser) | ||||||||||||||||||
Victoria | Sofie Benoot, Liesbeth De Ceulaer, Isabelle Tollenaere | B | Forum | + | +- | Victoria | Victoria | |||||||||||||||||
This Is My Desire (Eyimofe) | Arie Esiri, Chuko Esiri | NGR | Forum | ++ | ++ | This Is My Desire (Eyimofe) | + | This Is My Desire (Eyimofe) | ||||||||||||||||
Shine Your Eyes | Matias Mariani | F, BR | Panorama | ++ | Shine Your Eyes | ++ | Shine Your Eyes | |||||||||||||||||
Schwarze Milch | Uisenma Borchu | MN | Panorama | + | Schwarze Milch | + | Schwarze Milch | |||||||||||||||||
Kokon | Leonie Krippendorff | D | Generation | - | Kokon | Kokon | ||||||||||||||||||
A Storm Was Coming (Anunciaron tormenta) | Javier Fernández Vázquez | E | Forum | +- | A Storm Was Coming (Anunciaron tormenta) | A Storm Was Coming (Anunciaron tormenta) | ||||||||||||||||||
Red Moon Tide (Lúa vermella) | Lois Patiño | E | Forum | -- | + | Red Moon Tide (Lúa vermella) | ++ | -- | -- | Red Moon Tide (Lúa vermella) | ||||||||||||||
Ouvertures | Olivier Marboeuf, Louis Henderson | F, GB, | Forum | +- | + | Ouvertures | ++ | ++ | - | +- | Ouvertures | |||||||||||||
The Twentieth Century (The 20th Century) | Matthew Rankin | CA | Forum | + | -- | The Twentieth Century (The 20th Century) | ++ | -- | + | +- | -- | ++ | The Twentieth Century (The 20th Century) | |||||||||||
THE TANGO OF THE WIDOWER And Its Distorting Mirror (El tango del viudo y su espejo deformante) | Raoúl Ruiz, Valeria Sarmiento | CHI | Forum | +- | + | + | THE TANGO OF THE WIDOWER And Its Distorting Mirror (El tango del viudo y su espejo deformante) | + | +- | + | +- | THE TANGO OF THE WIDOWER And Its Distorting Mirror (El tango del viudo y su espejo deformante) | ||||||||||||
Suk Suk | Ray Yeung | HOK | Panorama | +- | Suk Suk | ++ | Suk Suk | |||||||||||||||||
As Above So Below (Kama fissamaa’ kathalika ala al-ard) | Sarah Francis | LB | Forum | As Above So Below (Kama fissamaa’ kathalika ala al-ard) | + | --- | -- | As Above So Below (Kama fissamaa’ kathalika ala al-ard) | ||||||||||||||||
The Foundation Pit | Andrei Gryazev | RUS | Panorama | The Foundation Pit | + | The Foundation Pit | ||||||||||||||||||
Bloody Nose, Empty Pockets | Bill Ross IV, Turner Ross | Panorama | ++ | +- | Bloody Nose, Empty Pockets | ++ | ++ | Bloody Nose, Empty Pockets | ||||||||||||||||
Mignonnes | Maïmouna Doucouré | F | Generation | Mignonnes | ++ | Mignonnes | ||||||||||||||||||
Sisters in the End of the World | Vinícius Lopes, Luciana Mazeto | BR | Generation | Sisters in the End of the World | + | Sisters in the End of the World | ||||||||||||||||||
The Notes of Anna Azzori (Gli appunti di Anna Azzori) | Constanze Ruhm | D, F, Ö | Forum | The Notes of Anna Azzori (Gli appunti di Anna Azzori) | + | + | +- | The Notes of Anna Azzori (Gli appunti di Anna Azzori) | ||||||||||||||||
Sow the Wind | Danilo Caputo | IT | Panorama | Sow the Wind | --- | Sow the Wind | ||||||||||||||||||
Minyan | Eric Steel | USA | Panorama | - | Minyan | Minyan | ||||||||||||||||||
Perro | Lin Sternal | D | Generation | Perro | -- | Perro | ||||||||||||||||||
Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt | Rosa von Praunheim | D | Forum | + | + | Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt | + | Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt | ||||||||||||||||
Mamá, mamá, mamá | Sol Berruezo Pichon-Riviére | AR | Generation | Mamá, mamá, mamá | + | Mamá, mamá, mamá | ||||||||||||||||||
Jumbo | Zoé Wittock | F, B, L | Generation | Jumbo | +- | +- | Jumbo | |||||||||||||||||
Aufzeichnungen aus der Unterwelt | Rainer Frimmel, Tizza Covi | Ö | Panorama | +++ | + | Aufzeichnungen aus der Unterwelt | ++ | + | + | Aufzeichnungen aus der Unterwelt | ||||||||||||||
Eeb Allay Ooo! | Prateek Vats | IND | Panorama | Eeb Allay Ooo! | -- | Eeb Allay Ooo! | ||||||||||||||||||
Paradise Drifters | Mees Peijnenburg | NL | Generation | - | Paradise Drifters | +- | + | Paradise Drifters | ||||||||||||||||
Out of Place | Friederike Güssefeld | D, RO | Perspektive Deutsches Kino | + | Out of Place | Out of Place | ||||||||||||||||||
Little Girl (Petite fille) | Sébastien Lifshitz | F | Panorama | + | Little Girl (Petite fille) | ++ | Little Girl (Petite fille) | |||||||||||||||||
Jetzt oder morgen | Lisa Weber | Ö | Panorama | +++ | ++ | ++ | Jetzt oder morgen | ++ | ++ | + | Jetzt oder morgen | |||||||||||||
If it Were Love (Si c'était de l'amour) | Patric Chiha | F | Panorama | ++ | ++ | ++ | If it Were Love (Si c'était de l'amour) | If it Were Love (Si c'était de l'amour) | ||||||||||||||||
Futur Drei | Faraz Shariat | D | Panorama | + | + | +- | Futur Drei | Futur Drei | ||||||||||||||||
Maggie's Farm | James Benning | USA | Forum | + | Maggie's Farm | + | ++ | - | + | ++ | + | Maggie's Farm | ||||||||||||
Death of Nintendo | Raya Martin | USA, PH | Generation | ++ | Death of Nintendo | +- | Death of Nintendo | |||||||||||||||||
Days of Cannibalism | F, NL, ZA | Panorama | +- | Days of Cannibalism | Days of Cannibalism | |||||||||||||||||||
Always Amber | Hannah Reinikainen Bergeman, Lia Hietala | S | Panorama | + | - | Always Amber | ++ | Always Amber | ||||||||||||||||
One in a Thousand (Las Mil y Una) | Clarisa Navas | AR | Panorama | - | One in a Thousand (Las Mil y Una) | One in a Thousand (Las Mil y Una) | ||||||||||||||||||
A Common Crime (Un crimen común) | Francisco Márquez | AR | Panorama | -- | A Common Crime (Un crimen común) | - | -- | A Common Crime (Un crimen común) | ||||||||||||||||
In Deep Sleep (Gorod usnul) | Maria Ignatenko | RUS | Forum | In Deep Sleep (Gorod usnul) | ++ | - | In Deep Sleep (Gorod usnul) | |||||||||||||||||
An American Romance | King Vidor | USA | Retrospektive | +++ | ++ | +- | An American Romance | +++ | +++ | An American Romance | ||||||||||||||
Duell in der Sonne (Duel in the Sun) | William Dieterle, Josef von Sternberg, King Vidor, Otto Brower, Sidney Franklin, William Cameron Menzies, David O. Selznick | USA | Retrospektive | +++ | Duell in der Sonne (Duel in the Sun) | Duell in der Sonne (Duel in the Sun) | ||||||||||||||||||
Titel (OT) | Regie | Land | Sektion | Andrey Arnold Presse | Dunja Bialas artechock | Hannes Brühwiler critic.de | Martin Gobbin Negativ | David Hudson Criterion | Jenny Jecke Moviepilot | Till Kadritzke critic.de | Michael Kienzl critic.de | Titel (OT) | Kevin B. Lee alsolikelife | Maurice Lahde critic.de | Adina Lauenburger critic.de | Dana Linssen Filmkrant | G.Marchini Camia Sight & Sound | Karsten Munt Berliner Zeitung | Boris Nelepo Svoboda.org | Jonas Nestroy critic.de | Sonja M. Schultz critic.de | Philipp Schwarz Spiegel | Rüdiger Suchsland artechock | Titel (OT) |