Titel (OT) | Regie | Land | Sektion | Andrey Arnold Presse | Dunja Bialas artechock | Olga Baruk critic.de | Hannes Brühwiler critic.de | Martin Gobbin Negativ | David Hudson Criterion | Jenny Jecke Moviepilot | Till Kadritzke critic.de | Titel (OT) | Daniel Kasman MUBI | Michael Kienzl critic.de | Ekkehard Knörer Cargo | Kevin B. Lee alsolikelife | Maurice Lahde critic.de | Dana Linssen Filmkrant | G.Marchini Camia Sight & Sound | Karsten Munt critic.de | Sonja M. Schultz critic.de | Philipp Schwarz critic.de | Lukas Stern Spiegel Online | Rüdiger Suchsland artechock | Titel (OT) |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
In Zeiten des Teufels (Ang panahon ng halimaw) | Lav Diaz | PH | Wettbewerb | ++ | +++ | +- | ++ | +- | + | In Zeiten des Teufels (Ang panahon ng halimaw) | ++ | + | +++ | --- | In Zeiten des Teufels (Ang panahon ng halimaw) | ||||||||||
Isle of Dogs | Wes Anderson | USA | Wettbewerb | + | ++ | + | ++ | + | ++ | Isle of Dogs | +++ | + | + | ++ | +- | + | ++ | Isle of Dogs | |||||||
Classical Period | Ted Fendt | Forum | + | + | + | Classical Period | + | + | ++ | + | - | + | ++ | Classical Period | |||||||||||
Dovlatov | Alexei German Jr. | RUS, PL, SER | Wettbewerb | + | - | + | +- | +- | Dovlatov | -- | ++ | + | - | Dovlatov | |||||||||||
Foreboding (Yochô: Sanpo suru Shinryakusha) | Kiyoshi Kurosawa | JP | Panorama | +++ | + | + | +- | ++ | + | Foreboding (Yochô: Sanpo suru Shinryakusha) | ++ | +++ | ++ | +++ | +- | +++ | ++ | +++ | Foreboding (Yochô: Sanpo suru Shinryakusha) | ||||||
The Green Fog | Guy Maddin, Evan Johnson, Galen Johnson | USA | Forum | ++ | ++ | + | + | ++ | ++ | The Green Fog | ++ | ++ | ++ | ++ | The Green Fog | ||||||||||
Transit | Christian Petzold | D, F | Wettbewerb | ++ | ++ | +++ | +++ | +++ | +++ | Transit | + | ++ | + | ++ | +++ | +++ | +++ | ++ | +++ | +++ | Transit | ||||
Die Tomorrow | Nawapol Thamrongrattanarit | Forum | -- | +- | Die Tomorrow | + | +- | Die Tomorrow | |||||||||||||||||
Grass | Hong Sang-soo | ROK | Forum | +++ | + | ++ | +++ | Grass | ++ | + | ++ | + | ++ | ++ | + | ++ | ++ | ++ | Grass | ||||||
In the Realm of Perfection (L'empire de la perfection) | Julien Faraut | F | Forum | + | In the Realm of Perfection (L'empire de la perfection) | ++ | +- | + | + | +++ | -- | In the Realm of Perfection (L'empire de la perfection) | |||||||||||||
Interchange | Brian M. Cassidy, Melanie Shatzky | Forum | ++ | ++ | - | Interchange | -- | + | - | Interchange | |||||||||||||||
Matangi/Maya/M.I.A. | Stephen Loveridge | Panorama | Matangi/Maya/M.I.A. | + | Matangi/Maya/M.I.A. | ||||||||||||||||||||
Notes on an Appearance | Ricky D ’Ambrose | Forum | + | ++ | Notes on an Appearance | + | ++ | + | Notes on an Appearance | ||||||||||||||||
The Rare Event (The Rare Event) | Ben Rivers, Ben Russell | F, GB, CH | Forum Expanded | +- | + | +- | The Rare Event (The Rare Event) | + | + | The Rare Event (The Rare Event) | |||||||||||||||
Don't worry, weglaufen geht nicht (Don't Worry, He Won't Get Far on Foot) | Gus Van Sant | USA | Wettbewerb | - | +- | Don't worry, weglaufen geht nicht (Don't Worry, He Won't Get Far on Foot) | +- | +- | +- | +- | +- | Don't worry, weglaufen geht nicht (Don't Worry, He Won't Get Far on Foot) | |||||||||||||
7 Tage in Entebbe (Seven Days in Entebbe) | José Padilha | GB | Wettbewerb | +- | -- | 7 Tage in Entebbe (Seven Days in Entebbe) | ++ | - | + | 7 Tage in Entebbe (Seven Days in Entebbe) | |||||||||||||||
U – July 22 (Utøya 22. juli) | Erik Poppe | NO | Wettbewerb | -- | --- | +- | U – July 22 (Utøya 22. juli) | -- | - | -- | --- | -- | --- | U – July 22 (Utøya 22. juli) | |||||||||||
11 x 14 | James Benning | USA | Forum | +++ | +++ | 11 x 14 | +++ | ++ | 11 x 14 | ||||||||||||||||
14 Apples | Midi Z | TW, | Forum | - | 14 Apples | - | + | +- | ++ | 14 Apples | |||||||||||||||
3 Tage in Quiberon | Emily Atef | D, F, Ö | Wettbewerb | + | -- | + | - | 3 Tage in Quiberon | +- | +- | 3 Tage in Quiberon | ||||||||||||||
303 | Hans Weingartner | D | Generation | + | 303 | 303 | |||||||||||||||||||
A Paris Education (Mes provinciales) | Jean-Paul Civeyrac | Panorama | A Paris Education (Mes provinciales) | + | A Paris Education (Mes provinciales) | ||||||||||||||||||||
Abwege | Georg Wilhelm Pabst | D | Retrospektive | +++ | Abwege | Abwege | |||||||||||||||||||
Afrique, la pensée en mouvement Part I | Jean-Pierre Bekolo | SN | Forum | ++ | Afrique, la pensée en mouvement Part I | Afrique, la pensée en mouvement Part I | |||||||||||||||||||
Ága | Milko Lazarov | D, F, BG | Wettbewerb | ++ | Ága | ++ | ++ | Ága | |||||||||||||||||
Aggregat | Marie Wilke | Forum | + | Aggregat | Aggregat | ||||||||||||||||||||
AMERICA Land of the FreeKS | Ulli Lommel | D | Special | AMERICA Land of the FreeKS | +- | -- | - | AMERICA Land of the FreeKS | |||||||||||||||||
An Elephant Sitting Still | Hu Bo | VCH | Forum | +++ | +++ | +++ | An Elephant Sitting Still | +- | +++ | An Elephant Sitting Still | |||||||||||||||
Antichrist | Lars von Trier | D, F, S, IT, DK | Retrospektive | +- | Antichrist | +- | ++ | ++ | Antichrist | ||||||||||||||||
Astrid (Unga Astrid) | Pernille Fischer Christensen | S | Special | Astrid (Unga Astrid) | - | Astrid (Unga Astrid) | |||||||||||||||||||
Aufbruch | Ludwig Wüst | Forum | ++ | Aufbruch | Aufbruch | ||||||||||||||||||||
Auto Focus | Paul Schrader | USA | Retrospektive | ++ | ++ | Auto Focus | ++ | Auto Focus | |||||||||||||||||
Blue Wind Blows | Tetsuya Tomina | Generation | - | Blue Wind Blows | Blue Wind Blows | ||||||||||||||||||||
Brüder | Werner Hochbaum | D | Retrospektive | ++ | Brüder | +- | ++ | Brüder | |||||||||||||||||
Casanovagen | Luise Donschen | Forum | +- | Casanovagen | - | - | - | + | Casanovagen | ||||||||||||||||
Chinesische Mauer (Kineski Zid) | Aleksandra Odić | D | Perspektive Deutsches Kino | Chinesische Mauer (Kineski Zid) | - | ++ | Chinesische Mauer (Kineski Zid) | ||||||||||||||||||
Cobain | Nanouk Leopold | B, NL | Generation | Cobain | ++ | ++ | Cobain | ||||||||||||||||||
Damsel | David Zellner, Nathan Zellner | USA | Wettbewerb | -- | + | -- | + | + | Damsel | -- | +- | + | - | Damsel | |||||||||||
Das Lied vom Leben | Alexis Granowsky | D | Retrospektive | ++ | Das Lied vom Leben | Das Lied vom Leben | |||||||||||||||||||
Der Katzensteg | Gerhard Lamprecht | D | Retrospektive | ++ | Der Katzensteg | Der Katzensteg | |||||||||||||||||||
Diary of My Mind (Journal de ma tête) | Ursula Meier | Panorama | +- | - | Diary of My Mind (Journal de ma tête) | ++ | ++ | ++ | ++ | +++ | Diary of My Mind (Journal de ma tête) | ||||||||||||||
Die andere Seite | Heinz Paul | D | Retrospektive | Die andere Seite | + | Die andere Seite | |||||||||||||||||||
Die Carmen von St. Pauli | Erich Waschneck | D | Retrospektive | +- | Die Carmen von St. Pauli | - | Die Carmen von St. Pauli | ||||||||||||||||||
Die defekte Katze | Susan Gordanshekan | D | Perspektive Deutsches Kino | + | Die defekte Katze | +- | + | Die defekte Katze | |||||||||||||||||
Die Tiefseetaucher (The Life Aquatic with Steve Zissou) | Wes Anderson | USA | Retrospektive | ++ | ++ | Die Tiefseetaucher (The Life Aquatic with Steve Zissou) | + | +- | Die Tiefseetaucher (The Life Aquatic with Steve Zissou) | ||||||||||||||||
Dressage | Pooya Badkoobeh | IR | Generation | - | Dressage | Dressage | |||||||||||||||||||
El día que resistía | Alessia Chiesa | Generation | El día que resistía | ++ | El día que resistía | ||||||||||||||||||||
Eldorado | Markus Imhoof | D, CH | Wettbewerb | + | -- | Eldorado | Eldorado | ||||||||||||||||||
Eva | Benoît Jacquot | F, B | Wettbewerb | +- | + | -- | + | -- | Eva | +- | +- | - | ++ | - | +- | Eva | |||||||||
Feierabendbier | Ben Brummer | D | Perspektive Deutsches Kino | Feierabendbier | + | Feierabendbier | |||||||||||||||||||
Fortuna | Germinal Roaux | Generation | +- | Fortuna | Fortuna | ||||||||||||||||||||
Frühlings Erwachen | Richard Oswald | D | Retrospektive | Frühlings Erwachen | +- | ++ | Frühlings Erwachen | ||||||||||||||||||
Game Girls | Alina Skrzeszewska | D, F | Panorama | ++ | Game Girls | + | Game Girls | ||||||||||||||||||
Garbage | Qaushiq Mukherjee | Panorama | +- | Garbage | Garbage | ||||||||||||||||||||
Genezis | Árpád Bogdán | Panorama | ++ | Genezis | Genezis | ||||||||||||||||||||
Hagazussa - Der Hexenfluch (Hagazussa) | Lukas Feigelfeld | D, Ö | 4. Woche der Kritik 2018 | ++ | Hagazussa - Der Hexenfluch (Hagazussa) | ++ | + | ++ | Hagazussa - Der Hexenfluch (Hagazussa) | ||||||||||||||||
Hendi & Hormoz | Abbas Amini | IR, CZ | Generation | + | Hendi & Hormoz | Hendi & Hormoz | |||||||||||||||||||
Horizon (Horizonti) | Tinatin Kajrishvili | Panorama | ++ | Horizon (Horizonti) | Horizon (Horizonti) | ||||||||||||||||||||
Human, Space, Time and Human (Inkan, gongkan, sikan grigo inkan) | Kim Ki-duk | Panorama | + | Human, Space, Time and Human (Inkan, gongkan, sikan grigo inkan) | --- | Human, Space, Time and Human (Inkan, gongkan, sikan grigo inkan) | |||||||||||||||||||
Impreza - Das Fest (Impreza) | Alexandra Wesolowski | Perspektive Deutsches Kino | Impreza - Das Fest (Impreza) | + | Impreza - Das Fest (Impreza) | ||||||||||||||||||||
In den Gängen | Thomas Stuber | D | Wettbewerb | + | + | + | In den Gängen | +- | + | In den Gängen | |||||||||||||||
Infinite Football (Fotbal infinit) | Corneliu Porumboiu | Forum | - | ++ | - | ++ | Infinite Football (Fotbal infinit) | ++ | ++ | ++ | ++ | ++ | ++ | Infinite Football (Fotbal infinit) | |||||||||||
Inland Sea | Kazuhiro Soda | JP | Forum | + | + | Inland Sea | + | ++ | Inland Sea | ||||||||||||||||
Invasion | Shahram Mokri | IR | Panorama | Invasion | - | -- | - | Invasion | |||||||||||||||||
Jamila (Djamilia) | Aminatou Echard | Forum | ++ | Jamila (Djamilia) | ++ | - | Jamila (Djamilia) | ||||||||||||||||||
Kissing Candice | Aoife McArdle | GB, IRL | Generation | + | Kissing Candice | Kissing Candice | |||||||||||||||||||
L'Animale | Katharina Mückstein | Ö | Panorama | + | L'Animale | +- | +- | L'Animale | |||||||||||||||||
Last Child | Shin Dong-seok | ROK | Forum | Last Child | +- | Last Child | |||||||||||||||||||
Leben und sterben in L.A. (To Live and Die in L.A.) | William Friedkin | USA | Retrospektive | +++ | +++ | Leben und sterben in L.A. (To Live and Die in L.A.) | +++ | ++ | + | +++ | Leben und sterben in L.A. (To Live and Die in L.A.) | ||||||||||||||
Lemonade | Ioana Uricaru | D, S, CA, RO | Panorama | - | Lemonade | Lemonade | |||||||||||||||||||
Luz | Tilman Singer | D, E | Perspektive Deutsches Kino | ++ | Luz | -- | -- | Luz | |||||||||||||||||
Madame Hyde | Serge Bozon | F | 4. Woche der Kritik 2018 | +++ | +++ | +++ | Madame Hyde | +++ | ++ | Madame Hyde | |||||||||||||||
Madeline's Madeline | Josephine Decker | USA | Forum | -- | + | ++ | ++ | - | - | Madeline's Madeline | -- | -- | Madeline's Madeline | ||||||||||||
Marilyn | Martín Rodríguez Redondo | AR, CHI | Panorama | Marilyn | - | Marilyn | |||||||||||||||||||
Mariphasa | Sandro Aguilar | P | Forum | ++ | Mariphasa | Mariphasa | |||||||||||||||||||
Mein Bruder heißt Robert und ist ein Idiot | Philip Gröning | D, F, CH | Wettbewerb | +- | - | -- | + | ++ | Mein Bruder heißt Robert und ist ein Idiot | +- | -- | +++ | ++ | Mein Bruder heißt Robert und ist ein Idiot | |||||||||||
Meine Tochter - Figlia Mia (Figlia mia) | Laura Bispuri | D, CH, IT | Wettbewerb | -- | + | Meine Tochter - Figlia Mia (Figlia mia) | -- | - | -- | -- | Meine Tochter - Figlia Mia (Figlia mia) | ||||||||||||||
Menschen im Busch | Friedrich Dalsheim, Gulla Pfeffer | D | Retrospektive | - | Menschen im Busch | Menschen im Busch | |||||||||||||||||||
Monster Hunt 2 (Zhuo yao ji 2) | Raman Hui | VCH | Special | - | Monster Hunt 2 (Zhuo yao ji 2) | +- | Monster Hunt 2 (Zhuo yao ji 2) | ||||||||||||||||||
Morgen beginnt das Leben | Werner Hochbaum | D | Retrospektive | +++ | ++ | Morgen beginnt das Leben | ++ | Morgen beginnt das Leben | |||||||||||||||||
Mug (Twarz) | Malgorzata Szumowska | PL | Wettbewerb | + | +- | + | +- | Mug (Twarz) | Mug (Twarz) | ||||||||||||||||
Museum (Museo) | Alonso Ruízpalacios | MEX | Wettbewerb | + | +- | ++ | +- | Museum (Museo) | +- | + | Museum (Museo) | ||||||||||||||
Obscuro Barroco | Evangelia Kranioti | F | Panorama | ++ | - | Obscuro Barroco | +- | Obscuro Barroco | |||||||||||||||||
Old Love (Jae-hoe) | Forum | + | + | + | Old Love (Jae-hoe) | - | Old Love (Jae-hoe) | ||||||||||||||||||
Our Madness | João Viana | F, P, , GUB, QA | Forum | - | Our Madness | - | Our Madness | ||||||||||||||||||
Pasolini | Abel Ferrara | F, B, IT | Retrospektive | Pasolini | ++ | + | Pasolini | ||||||||||||||||||
Pig (Khook) | Mani Haghighi | IR | Wettbewerb | +- | -- | + | - | Pig (Khook) | - | +- | Pig (Khook) | ||||||||||||||
Platoon | Oliver Stone | USA | Retrospektive | ++ | ++ | Platoon | + | ++ | Platoon | ||||||||||||||||
Profile | Timur Bekmambetov | USA, GB, CY | Panorama | + | Profile | Profile | |||||||||||||||||||
Ra | Sophia Bösch | D, S | Perspektive Deutsches Kino | Ra | + | Ra | |||||||||||||||||||
River's Edge (Ribâzu ejji) | Isao Yukisada | JP | Panorama | River's Edge (Ribâzu ejji) | + | +- | + | River's Edge (Ribâzu ejji) | |||||||||||||||||
Rückenwind von vorn | Philipp Eichholtz | D | Perspektive Deutsches Kino | ++ | Rückenwind von vorn | -- | Rückenwind von vorn | ||||||||||||||||||
Scary Mother (Sashishi deda) | Ana Urushadze | EST, GE | 4. Woche der Kritik 2018 | ++ | Scary Mother (Sashishi deda) | ++ | ++ | Scary Mother (Sashishi deda) | |||||||||||||||||
Searching for Oscar | Octavio Guerra | 4. Woche der Kritik 2018 | +- | ++ | Searching for Oscar | + | + | Searching for Oscar | |||||||||||||||||
Shakedown | Leilah Weinraub | Panorama | Shakedown | - | Shakedown | ||||||||||||||||||||
Shock Wave - First Name: Mathieu (Ondes de choc: Prénom: Mathieu) | Lionel Baier | Panorama | + | Shock Wave - First Name: Mathieu (Ondes de choc: Prénom: Mathieu) | +- | +- | Shock Wave - First Name: Mathieu (Ondes de choc: Prénom: Mathieu) | ||||||||||||||||||
Storkow Kalifornia | Kolja Malik | D | Perspektive Deutsches Kino | --- | Storkow Kalifornia | - | Storkow Kalifornia | ||||||||||||||||||
Styx | Wolfgang Fischer | Panorama | - | +- | Styx | +++ | Styx | ||||||||||||||||||
That Summer | Göran Olsson | USA, S, DK | Panorama | ++ | That Summer | That Summer | |||||||||||||||||||
The Big House | Kazuhiro Soda, Markus Nornes, Terri Sarris | USA | 4. Woche der Kritik 2018 | ++ | The Big House | The Big House | |||||||||||||||||||
The Disappeared | Adam Kaplan, Gilad Baram | D, ISR | Forum Expanded | The Disappeared | - | The Disappeared | |||||||||||||||||||
The Happy Prince | Rupert Everett | D, GB, B, IT | Special | + | +- | The Happy Prince | The Happy Prince | ||||||||||||||||||
The Heiresses (Las herederas) | Marcelo Martinessi | NO, UY, BR, | Wettbewerb | + | +- | +- | ++ | -- | The Heiresses (Las herederas) | + | - | ++ | +- | + | - | The Heiresses (Las herederas) | |||||||||
The Pillar of Salt (Tuzdan Kaide) | Burak Cevik | Forum | -- | The Pillar of Salt (Tuzdan Kaide) | -- | The Pillar of Salt (Tuzdan Kaide) | |||||||||||||||||||
The Prayer (La prière) | Cédric Kahn | F | Wettbewerb | ++ | +- | ++ | The Prayer (La prière) | +++ | +- | + | + | ++ | The Prayer (La prière) | ||||||||||||
The Real Estate (Toppen av ingenting) | Axel Petersén, Måns Månsson | GB, S | Wettbewerb | -- | -- | The Real Estate (Toppen av ingenting) | -- | + | -- | The Real Estate (Toppen av ingenting) | |||||||||||||||
The Rub | Péter Lichter, Bori Máté | 4. Woche der Kritik 2018 | The Rub | +- | The Rub | ||||||||||||||||||||
The Seen and the Unseen (Sekala Niskala) | Kamila Andini | AUS, NL, IDO, QA | Generation | +- | The Seen and the Unseen (Sekala Niskala) | The Seen and the Unseen (Sekala Niskala) | |||||||||||||||||||
The Son (Syn) | Alexander Abaturov | F, RUS | Forum | --- | The Son (Syn) | + | + | The Son (Syn) | |||||||||||||||||
The Tree (A Árvore) | André Gil Mata | P, BO | Forum | -- | --- | The Tree (A Árvore) | ++ | The Tree (A Árvore) | |||||||||||||||||
Theatre of War (Teatro de guerra) | Lola Arias | E, AR | Forum | ++ | Theatre of War (Teatro de guerra) | ++ | Theatre of War (Teatro de guerra) | ||||||||||||||||||
Thirty Lights (Trinta Lumes) | Diana Toucedo | E | Panorama | + | Thirty Lights (Trinta Lumes) | - | Thirty Lights (Trinta Lumes) | ||||||||||||||||||
Touch Me Not | Adina Pintilie | D, F, RO, CZ, BG | Wettbewerb | ++ | - | -- | Touch Me Not | -- | ++ | Touch Me Not | |||||||||||||||
Tower. A Bright Day. (Wieza. Jasny dzien) | Jagoda Szelc | PL | Forum | +++ | Tower. A Bright Day. (Wieza. Jasny dzien) | Tower. A Bright Day. (Wieza. Jasny dzien) | |||||||||||||||||||
Tranny Fag (Bixa Travesty) | Kiko Goifman, Claudia Priscilla | BR | Panorama | + | Tranny Fag (Bixa Travesty) | + | Tranny Fag (Bixa Travesty) | ||||||||||||||||||
Überall wo wir sind | Veronika Kaserer | D | Perspektive Deutsches Kino | Überall wo wir sind | ++ | Überall wo wir sind | |||||||||||||||||||
Unicorn (Unicórnio) | Eduardo Nunes | Generation | + | Unicorn (Unicórnio) | Unicorn (Unicórnio) | ||||||||||||||||||||
Unsane – Ausgeliefert (Unsane) | Steven Soderbergh | USA | Wettbewerb | + | ++ | ++ | +++ | + | Unsane – Ausgeliefert (Unsane) | +- | ++ | ++ | ++ | Unsane – Ausgeliefert (Unsane) | |||||||||||
Verlorene | Felix Hassenfratz | D | Perspektive Deutsches Kino | -- | Verlorene | +- | Verlorene | ||||||||||||||||||
Victory Day (Den' Pobedy) | Sergei Loznitsa | D | Forum | +- | ++ | Victory Day (Den' Pobedy) | ++ | ++ | + | ++ | ++ | Victory Day (Den' Pobedy) | |||||||||||||
Waiting for April (En attendant Avril) | Olivier Godin | 4. Woche der Kritik 2018 | Waiting for April (En attendant Avril) | +- | Waiting for April (En attendant Avril) | ||||||||||||||||||||
Waldheims Walzer | Ruth Beckermann | Forum | ++ | ++ | + | Waldheims Walzer | ++ | +- | ++ | + | ++ | Waldheims Walzer | |||||||||||||
Whatever Happens Next | Julian Pörksen, Julian Pörksen | D, PL | Perspektive Deutsches Kino | + | Whatever Happens Next | ++ | Whatever Happens Next | ||||||||||||||||||
When I Am Dead and Pale (Kad budem mrtav i beo) | Zivojin Pavlovic | JU | Forum | ++ | ++ | When I Am Dead and Pale (Kad budem mrtav i beo) | ++ | ++ | ++ | When I Am Dead and Pale (Kad budem mrtav i beo) | |||||||||||||||
When the Trees Fall (Koly padayut dereva) | Marysia Nikitiuk | Panorama | +- | When the Trees Fall (Koly padayut dereva) | When the Trees Fall (Koly padayut dereva) | ||||||||||||||||||||
Yama – Attack to Attack | Mitsuo Sato, Kyoichi Yamaoka | Forum | Yama – Attack to Attack | ++ | Yama – Attack to Attack | ||||||||||||||||||||
Yardie | Idris Elba | Panorama | - | Yardie | Yardie | ||||||||||||||||||||
Yet to Rule | Mihaela Popescu | 4. Woche der Kritik 2018 | Yet to Rule | +- | ++ | +- | Yet to Rule | ||||||||||||||||||
Young Solitude (Premières solitudes) | Claire Simon | Forum | + | ++ | - | - | Young Solitude (Premières solitudes) | +- | Young Solitude (Premières solitudes) | ||||||||||||||||
Yours in Sisterhood | Irene Lusztig | USA | Forum | + | Yours in Sisterhood | Yours in Sisterhood | |||||||||||||||||||
Zentralflughafen THF | Karim Aïnouz | D, F, BR | Panorama | ++ | - | + | + | ++ | Zentralflughafen THF | ++ | + | + | + | ++ | Zentralflughafen THF | ||||||||||
Titel (OT) | Regie | Land | Sektion | Andrey Arnold Presse | Dunja Bialas artechock | Olga Baruk critic.de | Hannes Brühwiler critic.de | Martin Gobbin Negativ | David Hudson Criterion | Jenny Jecke Moviepilot | Till Kadritzke critic.de | Titel (OT) | Daniel Kasman MUBI | Michael Kienzl critic.de | Ekkehard Knörer Cargo | Kevin B. Lee alsolikelife | Maurice Lahde critic.de | Dana Linssen Filmkrant | G.Marchini Camia Sight & Sound | Karsten Munt critic.de | Sonja M. Schultz critic.de | Philipp Schwarz critic.de | Lukas Stern Spiegel Online | Rüdiger Suchsland artechock | Titel (OT) |